Welcome to the IIT Guwahati Liberal Arts Masters Programme
About the Programme
The Department of Humanities and Social Sciences (HSS), IIT Guwahati's Master of Liberal Arts (MA-LA) programme offers a unique combination of training in theoretical analysis and abstract thinking, with practical applications. Liberal arts education has mostly been the prerogative of elite undergraduates globally but this programme takes into account the particular needs of Indian students. Today's world calls for lateral thinking abilities and non-traditional problem-solving skills in its citizens and future leaders. This programme gives students critical thinking skills to prepare for future leadership roles in their choice of career.
The two-year programme is designed to encourage learners to continuously create and grow with the help of faculty mentors engaged in cutting edge teaching and research in the humanities and social sciences. It pays attention to the diversities and multiplicities of the past and present in India and the world. The curriculum reflects this commitment. Engaging in meaningful cross-disciplinary conversations, this programme enables students to make informed and ethically-aware judgments about the world.Students gain practice in thinking independently and openly about issues that affect their lives.
Through training in the liberal arts as interpreted both globally and locally and in abstract thinking about disciplines and knowledge production, the MA-LA programme at IITG-HSS, enables students to make informed, meaningful, and innovative choices in their professional careers.
Programme Highlights

suitable for individuals with

careers
Highlights

crafted to benefit a wide variety of young minds with passionate interests in the humanities, arts, media studies, digital technology, and any interfaces in between /h5>

lots of reading for bookworms to hone and deepen thinking skills

graduates from all backgrounds welcome (subject to Institute policy)

choice of academic dissertation (one) or practical projects (one/two) in second year
selected student work will be showcased here
know more about potential careers here

Find information about past student placements and Institute placement options here
Application Process

Visit the IITG Department of Humanities and Social Sciences website at the time of application for details

Eligibility Criteria:
undergraduate degree in any discipline as per Institute Guidelines available here
Programme Structure
160 Credits
Credits per Course:
Lectures-Tutorials-Practicals-total Credits (L-T-P-C)
For a list of elective courses see here
Semester I | Semester II | Semester III | Semester IV |
---|---|---|---|
Core 1 HS 555: Introduction to Liberal Studies L-T-P-C 3-1-0-8 |
Core 4 HS 556: Introduction to Literary Studies L-T-P-C 3-1-0-8 |
Core 7 HS 566: Debates in Philosophy L-T-P-C 3-1-0-8 |
Core 9 HS 562: International Relations and Diplomacy L-T-P-C 3-1-0-8 |
Core 2 HS 501: Essentials of Political Theory L-T-P-C 3-1-0-8 |
Core 5 HS 551: Foundational Linguistics L-T-P-C 3-1-0-8 |
Core 8 HS 568: Digital Humanities: Theories in Practice L-T-P-C 3-0-2-8 |
Core 10 HS 567: Cultural Studies: Theories and Concepts in the Indian Context L-T-P-C 3-1-0-8 |
Core 3 HS 554: Theories and Thinkers: The Concept of CultureL-T-P-C 3-1-0-8 |
Core 6 HS 561: Historical Studies L-T-P-C 3-1-0-8 |
Elective 5 L-T-P-C 3-0-0-6 |
Elective 7 L-T-P-C 3-0-0-6 |
Elective 1 L-T-P-C 3-0-0-6 |
Elective 3 L-T-P-C 3-0-0-6 |
Elective 6 L-T-P-C 3-0-0-6 |
Elective 8 L-T-P-C 3-0-0-6 |
Elective 2 L-T-P-C 3-0-0-6 |
Elective 4 L-T-P-C 3-0-0-6 |
Project I L-T-P-C 0-0-16-16 |
Project II L-T-P-C 0-0-16-16 |
36 credits |
36 credits |
44 credits |
44 credits |
Core Courses

Introduction to Liberal Studies
From the disciplines delineated by the Greeks for gaining knowledge for its own sake by free citizens that came to be called the seven liberal arts comprising the trivium (rhetoric, grammar, dialectic) and quadrivium (arithmetic, geometry, music, astronomy); to the educational curriculum of Renaissance humanism in Europe; to the liberal education vision in modern-day America, liberal studies has reflected the quest by the Western world for the ideal of a “well-rounded” education.
This course places the idea of liberal arts within global history and engages in debates about what it means to acquire a liberal education in our own place and time. Instructors help students think through these issues, orienting them to the programme and enabling them to arrive at their own understanding of fundamental questions of education, knowledge production, and interdisciplinarity.

Essentials of Political Theory
This course will introduce students to classical and contemporary political theory along the following lines:
Basic concepts such as power; the state; freedom; equality: moral, legal, material equalities; justice: egalitarian, libertarian theories of justice; democracy; citizenship.
Classical ideologies like liberalism: contractarianism, rights-based liberalism, utilitarianism; conservatism; socialism: utopian socialism, scientific socialism; anarchism; nationalism: liberalism and nationalism, socialism and nationalism; fascism.
Contemporary ideologies like feminism: liberal, socialist, radical, black, philosophical feminisms; multiculturalism: culture, race, ethnicity, religion; ecologism: environmental crisis, land ethic, deep ecology; fundamentalism: fundamentalism and religion, modernity and tradition, fundamentalism, democracy and violence.
Contemporary ideas such as human rights: human rights conventions, relativism v/s universalism, group rights; civil disobedience: civil disobedience and law breaking, civil disobedience and democracy, civil rights movement; terrorism: political violence v/s terrorism.

Theories and Thinkers: The Concept of Culture
The course allows students to understand the evolution of the concept of “Culture.” Various thinkers have provided ideas and interpreted culture using new paradigms. As the word is one of the most overused in the English language, the implications of using it in varied contexts need to be investigated. Students are introduced to key thinkers, the context in which these thinkers developed the theories, and the relevance of allowing the concept to evolve further.

Introduction to Literary Studies
This course introduces students to the theory and practice of reading literary texts. It comprises two components: understanding genres and reading literary criticism.The former will require students to read select literary texts in the broad genres of poetry, prose (fiction and non-fiction) and drama, and learn to identify their generic characteristics. The latter component will consist of modules of major critical thinking about the nature of literary art.
The traditions and movements of literary criticism will be historicised, and students would be required to evaluate the texts they read in Component I through the lens of the critics they encounter in Component II (writers, thinkers, and movements).

Foundational Linguistics
This course introduces graduate students in liberal arts to the core areas of linguistics: phonetics, phonology, morphology, syntax, semantics and pragmatics, sociolinguistics and historical linguistics and also the fundamental questions, research findings and debates which inform linguistic research in its state-of-the-art form.
The course will be focused on data analysis, reasoning, linguistic experimentation and argumentation so as to provide to students with foundational knowledge of linguistics leading to an appreciation of the core ideas which continue to guide the discipline.

Historical Studies
This course will familiarize students to the fascinating complexity embedded in the debates, trends and methodologies that are shaping cutting edge research and pedagogic outcomes in the historical discipline.
Course content includes the following modules: Why Historical Studies? An Introduction; Art and History: How to See the Past and the Present; Archives of Artistic Practices; Art, History, and the Anthropocene; Approaches to International Diplomatic History writing; Events, Wars and Historical Documentation; Global History and Historiography; Access to Historical Resources internationally: Archiving, Sources and Resources

Debates in Philosophy
This course introduces some central and practicable philosophical concepts. It traces the evolution of these concepts and delves into select contemporary debates surrounding them. The concepts to be discussed have been chosen to expose students to the major sub-disciplines of philosophy viz. metaphysics, epistemology, ethics, and aesthetics.
Debates in philosophy are of interest pedagogically as they are informed by insights from other disciplines, and are driven by often contrasting intuitions about what we value. A study of these debates, then, will hone two important philosophical capabilities: the ability to synthesise different viewpoints on central philosophical concerns, and to spot evaluative assumptions in the arguments that drive them.

Digital Humanties: Theories in Practice
The course introduces students to the theories, debates, and tools that relate to the Digital Humanities. It consists of two related components.
The first acquaints students with the history of the field, the conditions of its emergence, and an overview of current debates and practices. Students learn about the relationship of data to intellectual property, sustainability, privacy, and ethical use; heritage computing and digital scholarly editing; standards of mapping, archiving, preservation and documentation of cultural objects, texts, languages, and geographies; digital communities and the public humanities. They also evaluate web content, user experience and information architecture.
The second (practical) component requires students to familiarize themselves with a selection of computational tools requiring no prior programming knowledge but useful in Digital Humanities projects. Students taking the course are expected to be able to identify areas of digital intervention in questions and topics that humanities scholarship engages with as part of regular disciplinary and interdisciplinary inquiry.
Hands-on exposure to learning open source and online computational tools in practical laboratory assignments enables learners to envisage innovative and creative research scenarios for a richer understanding of histories, cultures, and societies in a global context. The course also prepares students to incorporate acquired skills in project implementation in the final year of study.

International Relations and Diplomacy
With growing interdependence, technological advances and the rise of social media, the study of international politics and diplomacy has become an indispensable subject of analysis. The objective of this course is therefore to introduce students to the major concepts, approaches and issues in world politics and contemporary diplomacy.
The first part of the course allows students the opportunity to critically debate and discuss the major approaches and ideas that shape international relations. The second part of the course provides an in-depth understanding of the international issues, the processes and outcomes of interactions between states and trans-national actors. This part of the course will enable students to develop critical thinking and understanding of the applicability of major theoretical perspectives to policy responses.

Cultural Studies: Theories and Concepts in the Indian Context
This course will introduce students to some of the key debates and concepts in Cultural Studies in the context of modern India. One of the chief concerns of cultural studies is to analyze the shifting power relations that constitute the means by which culture or cultural artifacts in their various forms are produced and circulated. Cultural Studies has, for this purpose, drawn from various politically engaged practices like semiotics, feminist theory, ethnography, post-structuralism and so on to study the production and circulation of cultural hegemony and agency under certain political, social and economic conditions.
This is very evident in the Indian context where cultural studies has been the site of inter-disciplinarity and cultural pluralism, drawing from various interpretations of and debates on post-colonial theory, subaltern studies, Marxism and post-Marxism, nationalism and post-nationalism. This course will explore the following themes: caste and communalism, class, gender and citizenship and their fraught intersections that have been sites of social and political critique.
Playzone
This section showcases some instances of experimental and playable humanities content and links to present and future student projects.

SOMETHING SOMETHING SOUP SOMETHING
"Because we don’t know what soup is, and neither do you!"

JO WILDER AND THE CAPITOL CASE
"Practice historical inquiry skills with your students in this point-and-click adventure game featuring Jo Wilder, a girl who uncovers the real stories behind mysterious artifacts from two movements in Wisconsin State history. "

MY CAMERA AND ME
"Discover the portable cameras that shaped the history of cinema and changed our vision of the world. Learn about the cameras through film clips, informative fact sheets, podcasts and a virtual filmmaking activity. You can even try out the cameras by filming a clip in the Shoot your own Scene section."

THE WASON SELECTION TASK
"There are four cards, a simple rule, and all you've got to do is to work out which cards you need to turn over to see if the rule has been broken. That's got to be easy, right?"

WOULD YOU EAT YOUR CAT?
"The aim of this activity is to tell you something about how you view the morality of behaviour that many people would consider to be "disgusting" or "repellent" or "obviously wrong", but where it is difficult to explain exactly why the behaviour should be seen this way."

THE PERIODIC TABLE AS ASSEMBLED BY DR ZHIVAGO, OCULIST
"You are entering a language laboratory—a hypertext poem organized according to the periodic table of elements. By selecting and combining elements you can cause a poetic reaction."

WHO AM I?
"A highly enjoyable personality test based entirely on images by the VisualDNA. Ponder over the semantics as you self-explore!"

MY BODY—A WUNDERKAMMER
"A semi-autobiographical hypertext combining text and image in an exploration of the body." By one of the pioneers of electronic literature and author of Patchwork Girl (1995), Shelley Jackson."

WHAT JANE SAW
"You are invited to time travel to two art exhibitions witnessed by Jane Austen: the Sir Joshua Reynolds retrospective in 1813 or the Shakespeare Gallery as it looked in 1796. These two Georgian blockbusters took place, years apart, in the same London exhibition space at 52 Pall Mall (it no longer exists). When Austen visited in 1813, the building housed the British Institution, an organization promoting native artists. On her earlier London visit in 1796, it was the first-ever museum dedicated to William Shakespeare."